MUSIC PROJECTS


PARALLELS BAND

PARALLELS Band features: Logan Richardson (Alto Saxophone), Seamus Blake (Tenor Saxophone), Gregory Hutchinson (Drums & Cymbals). Making up half of the Parallels album program, this chord-less ensemble explores multiple harmonic and melodic landscapes to utilize the uniqueness of each members sound and approach.

Using long-form compositions, recorded in a live setting, the band stretches and strives to develop their improvisation separately and simultaneously while finding head nodding or bopping grooves that intensify with the soloists.

Available: April 2025; May 2025; July 2025; October 2025. 

 

JOE SANDERS STRING QUARTET #1

Premiered in Slovenia in March 2024, Joe Sanders' String Quartet #1 features Double Bass, Alto Saxophone, Drums and String Quartet. The compositions and arrangements have a rich, layered texture that seamlessly blends elements of jazz and classical music, creating a unique and mystifying sound at times.

The ensemble achieves a richness and depth comparable to that of a string quintet, due to the incorporation of Sanders' bowed bass that enhances the overall texture and harmonic foundation. The collaboration showcases the versatility and expressive potential of both genres, offering a fresh and innovative listening experience.

Available: entire 2025 

 

JOE SANDERS INFINITY

As a bassist, I get many wonderful opportunities to accompany a wide range of artists in an array of settings. That being said; it’s mostly for supporting another artist. Band leaders call bass players for their good sound, time feel, and overall professionalism, not their compositions, solo chops or ideas on how their music should sound or come across artistically (on a typical basis). When you're always being "told" or "guided" what to do in music it can be frustrating for an artist on any instrument or in any other Art.
 
The goal of J.S. Infinity is to attain a level of freedom that allows the band as whole to play without constraints, but still allowing the audience to interpret the song along with us. I believe a song can breathe/live in many different ways, and I excel to constantly explore those possibilities. I've also chosen musicians who also embody this same spirit on and off the band stand.

Members of J.S. Infinity include:

John Ellis (Saxophones & Bass Clarinet): Ever since moving to NYC I always wanted to play with John. He was one of the few musicians whom I’ve always FELT the music through his playing. Through his compositions and continued growth he constantly exudes the upmost musicianship.

Aaron Parks (Piano): I knew about Aaron long before I had and opportunity to play with him. I have always marveled at his sense of emotion, interpretation, and harmony. Parks is a gem of our generation.

Eric Harland (Drums): Eric has been on the scene long before I knew what jazz was. But his beautiful approach to music allows the listener (and me also!) to participate in the journey ahead musically and spiritually.

 

JOE SANDERS BASS PROJECT

Joe Sanders’ Bass(ed) Imagination, commissioned by the Jazz Gallery/Jerome Foundation as part of the series, “Leading from the Bass.” The work involved a focused residency dedicated to composition for four basses. Inspiration arrived from many places, including deep listening to two of my favorite classical composers, Tchaikovsky and Mahler.

Personnel for the March, 2012 performances of this work show the expansion of group as the composition evolved: Joe Sanders (Bass), Shawn Conley (Bass), Christopher Mees (Bass), Ryan Berg (Bass), Justin Brown (Drums), Romain Collin (Piano), and Pat Carroll (Alto Sax).

“I have to give it up to these bass players, because they really stepped up to the challenge.... I know bass players. I know them really well. And I knew that these guys would be gung-ho about this, because it’s something really different, and something new, and [they would do] anything to advance the bass. These guys have been wonderful. And I’m in the same boat that they are, which is usually not the case. Because [no bandleader] really knows what you’re doing with the bass – [e.g.] the fingerings or bowings that you have to use – so we’re all in the same space. And I’m playing this music too, it’s hard for me, and I wrote it!”